The Card Catalog: Books, Cards and Literary Treasures by The Library of Congress. Reviewed by Jerry Morris

ISBN 978-1-4521-4540-2

   Every now and then there is a book that comes my way that I just can't put down.  The Card Catalog is the latest one of them.  Surrounding the book is a belly band displaying the LOC card catalog of Walt Whitman's Leaves of Grass.  This is just one of over seventy images of LOC catalog cards displayed in this book.  And on the opposite pages are images of the literary treasures the catalog cards identify. Interspersed among the images are sections detailing the history of the card catalog from its origin to its rise and fall.

   Before there were card catalogs, there were several other methods used to catalog libraries, all of which are identified in this book, the earliest of which was a Sumerian cuneiform dating to around 2000 B.C.  The Library of Congress wasn't the first library to use catalog cards but it advanced their use nationwide by providing copies of its own catalog cards to libraries across the country.

The last new card catalog was filed in the Main Reading Room of the Library of Congress on December 31, 1980, and the card cataloging system was declared "frozen," its use replaced by newer technology:  the online catalog.  This book, however, has its own card catalog inserted in a library pouch pasted on the front pastedown:

Moi Recommends!

What Happened to Me: My Life with Books, Research Libraries, and Performing Arts by David H. Stam, Reviewed by Jerry Morris

"As is the wont of many old farts in retirement, I was reminiscing..."

These are the author's words, not mine!

David H. Stam wrote those words in his Epilogue, "The Origins of this Screed." And in the very first paragraph of his Preface, Stam suggests that we go to this Epilogue near the back of the book "for more direct stimuli on the origins of these autobiographical memories."   Now I am neither a slow reader or a speed reader, but that is the shortest time I ever got to Page 285 of any book!

In his Epilogue, David H. Stam was reminiscing to a friend about some events in his career when said friend suggested he write about his experiences.  That was in 1998 – And in Beijing, of all places.  It would take another ten years at least, and the urgings of a few more friends before Stam decided to write about his experiences.  And he had a lot to write about; not only about himself, but about the many friends he met along the way in his many years of librarianship.

Here is where I, myself, diverted a bit.  Instead of returning to the Preface, I proceeded from the Epilogue to Stam's Index – I sometimes browse the index of a book before reading it.  When browsing Stam's Index, I recognized a number of names.  His Index is a veritable Who's Who in the Library, Literary, and Book Arts Worlds.

In his forty years of library work, David H. Stam worked his way up from a clerk-typist position at the New York Public Library to positions in the upper echelons of library administration: at the New York Public Library, the Newberry Library, as well as at the libraries of Johns Hopkins University and Syracuse University.

David H. Stam  devotes the first fifty-nine pages of his book to his family, his childhood, his schooling, and his two-year stint in the U. S. Navy as a journalist. As a child at his local library, Stam "resolved to read the entire library collection, starting with Dewey 001."  And by his high school years, he fancied himself to be, in Coleridge's terms, a library cormorant: a voracious reader.  Stam's career working with libraries actually began while he was still in the Navy.  While his ship, the USS Galveston was being converted to a modern missile cruiser, Stam was put in charge of the ship's library of 3,000 volumes of books.

From page 60 on, Stam rambles on about his life with libraries, and about a few of his side interests.  I found his book to be an interesting read for the most part. His subtitle: My Life with Books, Research Libraries, and Performing Arts, identifies two of the areas I found most interesting, with Performing Arts being the least interesting–nothing wrong with Performing Arts, mind you; it's just not my cup of tea.

Although the majority of his book pertains to matters of librarianship–and rightly so– Stam devotes a few pages to his life as a book collector (Yay!)  and happens to mention his Polar Exploration Collection and his Leigh Hunt Collection. Moreover, Stam is a member of the Grolier Glub, and mentions the club no less than twelve times in his Index.  And Stam and his wife Deirdre have enjoyed a long companionship with their friend, Terry Belanger, founder of the Rare Book School, and Stam reminisces about their friendship in his book as well.

What I appreciated most about David H. Stam's book, however, was his positioning of his footnotes on the pages they referred to, instead of at the back of the book, a sore point of mine.  I would rather have the reference sources of the footnotes of related information readily available than have to flip to the back of the book and search for the references.  And Lord help me if I wait until I finish reading the book before referring to the footnotes!  I wouldn't remember what the footnotes were referring to in the first place!  There!  Rant over!

A surprising number of the references that Stam's footnotes referred to are available for reading online.  Some of them require login access: eg:  The Library of the Bibliographical Society, of which I am a member:

Other footnote references are available via Haithi Trust. eg: Bulletin of the NYPL Summer 1974:

Still other footnotes are available via JSTOR. eg:

I should mention that my copy of What Happened to Me... came from the author himself.

Being a Leigh Hunt collector, David noticed my April 27, 2017 post to My Sentimental Library blog, Leigh Hunt & Two Leigh Hunt Collectors: Joseph T. Fields & Luther A. Brewer, on the web, enjoyed reading it, and wrote to tell me about his own Leigh Hunt Collection.  And what a collection it is!

Finally, David's selected publications are listed in Appendix II of his book.  I have made use of this list to read his online articles and to acquire copies of available Leigh-Hunt-related publications.  Now, it seems, I am starting a Leigh Hunt sub-collection: books containing articles by David H. Stam about Leigh Hunt!

Hubert's Freaks: The Rare Book Dealer, The Times Square Talker, and the Lost Photos of Diane Arbus by Gregory Gibson. Reviewed and Commented Upon by Jerry Morris

One might assume that the sale of the Hubert's material would be as twisted and difficult as the events leading to its discovery.  In actuality, the process by which the archive came to market proceeded in such a straightforward and timely manner that it almost seems out of character with the rest of story (262).

Gregory Gibson 2008:  the first paragraph of the last chapter of the hardback edition of Hubert's Freaks.

                           Hardback edition                Paperback edition     

I don't usually buy both the hardback edition and the paperback edition of a book.  But I made an exception for Hubert's Freaks.   I'll explain why after reviewing the hardback edition of the book.

Gregory Gibson uses the words twisted and difficult to describe the events leading to the discovery of the Hubert's archive.  I shall add the word freakish because Hubert's Freaks has a rather freakish beginning.

In the Preface, the author tells us about the out-of-body experience of Bob Langmuir, the main character of the book.  He was ejected from a vehicle on the same day the photographer Diane Arbus slit her wrists while soaking in her bathtub, the first of a number of coincidences.  Throw in a man dressed all in blue and walking on crutches who retrieved a tire for Bob to sit in to ease his pain immediately after the accident, and you have either one freakish introduction–or maybe it was just a mere hallucination on the part of the main character, the bookseller Bob Langmuir.  He didn't remember the details of the accident until years later when he freaked out while hitching a ride from a drunk driver on the Massachusetts Turnpike.  And, mind you, this is just from the Preface!

Gregory Gibson knows how to weave a tale.  He gives us some background on Hubert's Museum and its entertainers.  Then he tells us a little bit about Diane Arbus, emphasizing that everyone pronounced her first name as Deeyan.  Gibson doesn't re-introduce the main character Bob Langmuir until the fifth chapter of the book, which sounds bad, but it's really not because we're only on page 32 of the book.

It was an emotional roller coaster for Bob Langmuir for a while after that: deep depression, a rocky marriage, and nasty, prolonged divorce proceedings.  By page 142 Bob had signed himself into a mental hospital.  Prior to that, Bob had given up antiquarian bookselling and switched to the acquisition and sale of ephemeral material pertaining to African Americana.  Bob had already acquired photos and documents of a Black sideshow from a so-called Nigerian prince named Okie.  Bob's diligent research revealed that the photos were of the freaks of Hubert's Museum.  And the photos were taken by Diane Arbus. Among the documents was a notebook of Charlie, the Times Square talker of Hubert's Museum.  Meanwhile, Gregory Gibson is telling us more about Diane Arbus and her connection with Hubert's Museum, and the world of art.

Gregory Gibson begins Part Two of his book on Page 143, and titles it the New Bob.  By page 156, Bob was out of the hospital and living with friends because his wife had a Protection From Abuse (PFA) order forbidding him to go anywhere near her.  By page 159 Bob is moving in with a woman he met on the internet–not a bad thing at all because Bob and Renee are still together.  And happy about it.  Meanwhile, Bob is told that the Arbus photos need to be authenticated by the Arbus Estate, but the authentication process in no way proceeds in a straightforward and timely manner.

All the while, Bob is searching the web for additional ephemera relating to Arbus and freak shows, and African Americana, and comes across G. T. Boneyard, a Florida dealer who appeared to have the second half of the Hubert's archive, including five vintage photos possibly taken by Diane Arbus.  Bob flew down to Florida and traded a sideshow collection for the material from Hubert's archive.  But it took more than a day because G. T. Boneyard "had to sleep on it" before consenting to the deal.

We're now on page 185 and Gregory Gibson is filling us in on the life of Richard Charles Lucas, AKA Charlie, the Times Square talker, which takes up six pages.  Bob shared the same initials as Richard Charles Lucas: R. C. L. which stands for Robert Cole Langmuir.  Moreover, both Bob and Charlie shared the same birthday, August 15.

It would only take Gibson five pages to write about it, but it took an entire year for the authentication process of the Arbus photos Bob acquired from the Nigerian prince Okie to be completed by the Arbus Estate.  Diane Arbus's daughter Doone did it, and she did a sloppy job of it, authenticating one of the Arbus photos twice.  Of the twenty-nine photos, Doone authenticated twenty-two of them from the negatives in the Arbus Estate's files.   And Bob still had to get the five Arbus photos he acquired from Boneyard authenticated.

A whirlwind of action and inaction occurs in the next sixty plus pages, or over two years of real time.  Bob's divorce proceedings dragged on; the judge ruled the Arbus archive to be part of the estate.  The agreed-upon stipulated value of the Arbus archive was $250,000, which was the estimate previously given sight unseen  by Sotheby's.  Bob's wife then fires her third lawyer and her fourth lawyer suggests a settlement that is agreeable to both parties.  And surprisingly, the Arbus archive was not a part of the divorce settlement.  The on-again-off-again dealings for a sale of the Hubert's archive and Diana Arbus photos to the Metropolitan Museum of Art dragged on.  And finally, Steve Turner, an old friend of Bob's, worked out a deal with Philips de Pury and Company to sell the Arbus photos at auction.  The auction was to take place in April 2008.   The experts at Philips de Pury expected the selling price of the photos to exceed a "life-altering sum."  Gregory Gibson didn't think the money would change Bob; "he had already changed."

And that's how the hardback edition of Hubert's Freaks ended...

"What the hell?

I wanted to know how much Bob got for the Arbus photos!

I learned from one of Gregory Gibson's blog posts that Bob eventually sold the collection to a major New York institution.  But Gibson didn't state how much Bob got for the photos! So I emailed Gregory Gibson. And that's when I learned that the publication of the hardback edition was timed to coincide with the auction.  Moreover, the paperback edition included an AFTERWORD that contained new information about the sale of the Hubert's archive.

AFTERWORD

Bob traveled to Manhattan on April 7, 2008, with a light heart and high hopes, fully expecting to come home a millionaire.  He woke on April 8 to learn that Philips de Pury & Company had canceled the auction of the Hubert's archive overnight and without warning (265).

Gregory Gibson 2009 The first paragraph of the AFTERWORD in the paperback edition.

By no means did the process by which the Hubert's archive came to market proceed in the straightforward and timely manner as expressed by Gregory Gibson in the first paragraph of the last chapter of the hardback edition of Hubert's Freaks.  And Bob Langmuir's old friend Steve Turner was partly to blame.

Steve Turner scored a publicity coup of sorts, getting the New York Times to write a detailed story about Bob Langmuir's discovery of the Hubert's archive and the Arbus photos.  Gibson's upcoming book, Hubert's Freaks, was mentioned in the article, as was the Philips de Pury auction itself, scheduled for April 8, 2008.  But the New York Times article was published on November 22, 2007.  In the AFTERWORD of the paperback edition, Gregory Gibson stated that the article "had come out far too early... Gibson's publishers groaned... Events proved them correct, but that wasn't the worst of it."

One of the people who read the New York Times article was Bayo Ogunsanya, the Nigerian prince called "Okie" in Gibson's book.  A March 6, 2008 story in the New York Daily News depicted how Okie was "tricked" into selling the Diane Arbus photos for $3500, even though Bob Langmuir  knew they were worth much more.  Okie filed a lawsuit to stop the sale of the Hubert's archive.

When Philips de Pury cancelled the auction, they claimed that a buyer for the entire archive had come forward.  But most people believed that Okie's lawsuit had something to do with the cancellation of the auction.  Gregory Gibson, however, thought otherwise, and expressed as much in his AFTERWORD.

Gibson believed that Philips de Pury cancelled the auction because they realized the auction was too much of a monetary risk.  The day before the Philip's auction was to be conducted, Sotheby's conducted the sale of the Quillan collection of nineteenth and twentieth century images, bringing $9 million in sales.  Moreover, Christie's had two sales coming up a few days after the scheduled Philips auction, one of which included a collection of 50 Arbus photos. Philips de Pury realized that their timing was poor and that they couldn't compete with the two major auction houses, so they cancelled their auction.  Probably a wise move: the sales of the two Christie's auctions totaled $5.5 million.

As the paperback edition of Hubert's Freaks went to press,  Okie's lawsuit was still pending; a movie version of Hubert's Freaks fell through; the fake buyer never appeared; and Russia's largest luxury retail company, Mercury Group, purchased Philips de Pury, leaving Bob Langmuir having to deal with the Russians.  Gregory Gibson was still hopeful that the story would have a happy ending, while Bob, with surprising tranquility considering the circumstances, went on with his life, spending a lot of time in Mexico.  And that's how the paperback edition of Hubert's Freaks ended.

There is an epilogue to this story, revealed to me by both Gregory Gibson and Bob Langmuir.  Okie's lawsuit was settled out of court in March 2009.  And the New York Public Library bought the Hubert's archive for an undisclosed amount of money.  But between settling Okie's lawsuit and paying all the lawyer fees, Bob got nothing but heartache from the sale of the Hubert's archives.

There is, however, a happy ending to the story.

During all the trials and tribulations of the Hubert's archives dealings, Bob pressed on and continued to acquire African Americana.  And in July 2009 he sold the Robert Langmuir African American Photograph Collection to Emory University for a life-altering sum.

You can browse the photographs of the collection via the Emory Digital Gallery.

At the time of this blog post writing, The Atlanta Black Star  still carries Rosalind Bentley's eloquent article about the Robert Langmuir African American Photograph Collection.  The article first appeared in the Atlanta Journal-Constitution the day before on July 8, 2012.

And on his Bookman's Log blog on July 16, 2012 Gregory Gibson posted "Extreme Book Selling," a post which recaps Bob Langmuir's meticulous research of the Hubert's archives, and congratulates him on the sale of the Robert Langmuir African American Photograph Collection to Emory University.

And Bob is building a new archive...

War Virgin: My Journey of Repression, Temptation and Liberation. A Memoir by Laura Westley Reviewed by Jerry Morris

From Johnson's Dictionary, Sixth Edition, 1785


Poets and playwrights have been writing about virgins for centuries.  But until now, I don't think anyone has written about being a virgin in a military environment, battling not only the enemy, but battling virginity itself.

 

I guarantee you that Laura Westley will grab your attention on the very first page of her memoir.  You may be shocked.  You may be amused.  But you will want to turn the page to see what the hell this woman, this virgin, is going to do next. She is upfront, in your face, and very personal in revealing her experiences as a virgin in the military.

Throw in growing up with a demeaning father, completing four demanding years of soldierly at West Point, and serving a combat tour in Iraq during Iraqi Freedom, and you have the makings for an interesting memoir.  Sprinkle in some humor, some sadness, some unpleasantness, and a whole lot of foreplay, and you have a book that you won't be able to put down.  And if you still haven't gotten enough, there is also War Virgin, the Play.

My wife and daughter saw the play, while I watched the grandchildren.  Before seeing the play, my daughter read the book from cover to cover nonstop, continuing on while her children slept.  Before the book was published, and before my wife saw the play, my wife listened to Laura Westley speak at a political luncheon.  Afterwards, she "suggested" I invite Laura Westley to be guest speaker at a meeting of the Florida Bibliophile Society (I'm the VP).  I know when to take orders.  So on June 6, 2016, I cordially invited Laura Westley to be our guest speaker during National Women's History Month in 2017. And she readily accepted our invitation.

Laura Westley, author and playwright of War Virgin, will be the keynote speaker at the meeting of the Florida Bibliophile Society at 1:30 pm on Sunday March 19, 2017 at the Seminole Community Library, 9200 113th St. North, Seminole, Florida, 33772  Admission is free.  But just a word of advice:  don't bring your Sunday School teacher with you!

Boswell's Books: Four Generations of Collecting and Collectors by Terry Seymour and commented upon by Jerry Morris

Samuel Johnson once instructed James Boswell (1740-1795) to surround himself with books.  And at Auchinleck, James Boswell surrounded himself with books acquired by his grandfather James Boswell (1672-1749), by his father Lord Auchinleck (1706-1782), and by books that he himself acquired.  And after his death, his sons Sir Alexander Boswell (Sandy) (1755-1822) and James Boswell the Younger (Jamie)(1778-1822) added a few thousand more books to the Auchinleck Library.  And now, with Boswell's Books, Terry Seymour provides an extensive book-by-book reconstruction of the Boswell Library.

Yes, that's Samuel Johnson raising a folio above his head in the cover photo above.  But that's not the bookseller Thomas Osborne who is about to be bashed.  It is Lord Auchinleck.  And that is James Boswell himself cringing in the background.  The etching, "The Contest at Auchinleck," and part of Rowlandson's 1786 Picturesque Beauties of Boswell, offers a contemporary view of the Auchinleck Library.


I am well acquainted with the books in the Auchinleck Library.  While Terry Seymour was researching, cataloguing, and gathering information for his book, I was leading a parallel cataloguing project on the social media website, Library Thing: the online cataloguing of the library of James Boswell.   And Terry Seymour was one of our Auchinleck Advisers.

James Caudle, the Associate Editor of the Yale Editions of the Private Papers of James Boswell, was Terry Seymour's primary adviser for his book.  In fact, he is the author of the preface of Terry Seymour's book.  And he was the primary adviser and chief supplier of catalogues for the Boswell Cataloguing Team on Library Thing.

The Boswell Cataloguing Team began cataloging the Boswell Library in October 2008.  And we completed our cataloguing in August 2012. But in June 2013,  thanks to an article by Terry Seymour in the March 2013 issue of the Johnsonian News Letter, "An Appendix to Boswell's Books," I was recataloguing the 1810 Catalogue of Greek & Latin Classics in the Auchinleck Library; I was adding eleven items  I had somehow missed two years earlier.

Terry Seymour began his Boswell project sometime in 2009. And his book was published in April 2016.  I received my copy on April 20th.  Terry said I was the first collector to receive an ordered copy.  I had volunteered beforehand to be a reviewer (to get a free copy), but Terry believed–and rightfully so–that my name and the name of Library Thing were mentioned too many times in his book for me to write a fair and impartial review.  What I can do, however, is tell you a little bit about both cataloguing projects.

The purpose of the Library Thing Catalogue of James Boswell was to provide online access to the individual listings of books formerly owned by James Boswell and his family.

The purpose of Boswell's Books, as stated by the author, "is to present a complete picture of the known history of each book, from the time it entered the Boswell family library until the present day." 

The Library Thing Cataloguing Team began by cataloguing books listed in the 1825 Action Catalogue, and then those books listed in the 1893 Auchinleck Catalogue.  Most of the books in the 1825 catalogue were formerly owned by Jamie Boswell.  And most of the books in the 1893 catalogue were formerly owned by Lord Auchinleck.  The cataloguing team then catalogued the books listed in the 1810 Catalogue of Greek & Latin Classics in the Auchinleck Library, the 1916 James Boswell Talbot Sale, the 1917 Dowell Sale, the Circa 1770 Catalogue of Books Belonging to James Boswell, and Curious Productions, a collection of chapbooks James Boswell acquired in 1763.

The 1810 Catalogue contained Greek and Latin books that Sandy Boswell inherited from his father, and Sandy was the cataloguer.  James Boswell himself was the cataloguer of what I cite as the "Circe 1770 Catalogue."  Terry Seymour cites it as the "JB Handlist" c1771.  The 1916 sale contained items that were not listed in the 1893 auction.  The auctioneers of the 1917 sale combined remainders from the Auchinleck library with items from other libraries.

Terry Seymour's catalogue, Boswell's Books, contains not only the books, but also the manuscripts that are listed in the above catalogues, but with one exception.  The 1825 Catalogue contained a number of Jamie Boswell's books that were formerly owned by Edmond Malone.   And Terry Seymour catalogued only those "books that have a direct bearing on their Boswell owners."

Terry Seymour referenced a number of additional sources when he catalogued the books and manuscripts listed in Boswell's Books:  Margaret Montgomerie Boswell's Inventory of the Auchinleck Library 1783-1785,  Sandy Boswell's Catalogue of the Manuscripts at Auchinleck 1808-1809, fragments of Sandy Boswell's Catalogue of the Auchinleck Library 1803-1810,  the Walpole Galleries Sale of 1920, and the 1976 Family Sale.  Terry Seymour also listed presentation copies given by the Boswells to their friends.

Margaret Montgomerie Boswell was James Boswell's wife.  And shortly after Lord Auchinleck's death, she catalogued the books and manuscripts as they appeared on the shelves in the Auchinleck Library, identifying the books by the titles on their spines.  The first part of the catalogue, however, is missing.

Sandy Boswell's catalogue of the manuscripts identified 89 manuscripts in the Auchinleck Library.  Terry thinks it is likely that this catalogue was intended to be part of Sandy's General Catalogue, of which no complete copy exists.

Terry Seymour says that the 1920 Walpole Sale included more books with Boswell ownership marks than any other source.  And the identity of the prior owner remains unknown, and also how the owner acquired the books.  Of the 400 lots listed in this sale, only 12 lots appear in any other source.  As for the 1976 sale, Terry Seymour notes only two books of merit in the sale.

By far, the greatest accomplishment of Boswell's Books, in my opinion, is Terry Seymour's identification of many of the 436 items sold in the 1893 Auchinleck Sale that were not identified by title in the auction catalogue.  These books were tabulated under the dreadful phrases of and others and and another.  Terry Seymour searched high and low and acquired the contemporary bookseller catalogues of the three biggest buyers of the 1893 Auchinleck Sale: Bernard Quaritch, William Ridler, and Pickering and Chatto.  Using these and other contemporary bookseller catalogues he acquired, he identified many of the and others of the 1893 Auchinleck Sale.

I will reveal here, particularly for those Boswellians and scholars residing in the state of Florida, and for those booklovers who want to know more about the Boswell Library and Boswell's Books, that Terry Seymour will be the guest speaker at the January 15, 2017 meeting of the Florida Bibliophile Society.

Both Boswell's Books and the Boswell Library Thing Catalogue should be required references for university libraries.  Boswell's Books more so because, where possible, Terry Seymour has traced the provenance of the books down to their current location– "if" they are recorded in library databases.  And that is a big IF...

I call to mind Nicholson Baker's article, "Discards," from his book, The Size of Thoughts."  This article, which first appeared in The New Yorker, detailed the initial conversion of library data from library cards to online library catalogues in the 1980s and 1990s.  At most libraries, only the bibliographical information on the front of the library card was transferred.  And when the library card was discarded, the provenance information, if recorded on the verso of the card, disappeared.

Here's the synopsis of Baker's article, which appeared below the title, DISCARDS, in the April 4, 1994 issue of The New Yorker:

America's great libraries are scrapping the card catalogue in favor of the more accessible on-line system, and many librarians are toasting the demise of the dog-eared file card and the bookish image it projects.    But are they destroying their most important––and irreplaceable––contribution to scholarship?

Now in many libraries, Special Collections has either retained or restored provenance information.  But I wonder how many libraries have Boswell books in their library stacks that they no longer know about?

The Toad by Elise Gravel Reviewed by Jerry Morris

   I'm slowly adding a shelf or two of children's books in my library for my grandchildren to read when they visit.  But I may have trouble keeping this book in my library.  My wife believes at least one of the grandchildren will want to do a book report on it.

   The Toad is part of a series of books  by Elise Gravel about Disgusting Critters.  And I do mean disgusting!  Just look at the titles:  The Worm, The Fly, Head Lice, The Slug, The Rat, The Spider, and The Toad!.

But kids don't find these critters to be disgusting.  And Elise Gravel presents the toad as friendly and useful for the environment.  And she adds a little humor in the book, which will make my granddaughters laugh.  One of them will even say, "Again..."

I may have to get most of the other books in the series for my library–except for the book about head lice!  That would make me scratch my head!

Moi recommends!

A Scout's Report: My 70 Years in Baseball by George Genovese with Dan Taylor. Reviewed by Jerry Morris

I loved playing baseball as a kid. I loved watching my kids play baseball. I loved umpiring baseball games:  Little League, Pony League, High School, Mexican League.  I love watching baseball games on TV.   I love going to baseball games. And I love reading books about baseball.

This book, A Scout's Report:  My 70 Years in Baseball, is one of the better ones.  From Page 1 to page 244,  you will witness George Genovese reliving and breathing baseball, first as a player, then as a manger, but mostly as a baseball scout.  44 of the players George Genovese signed became major leaguers and, when you read his book, you will find out which ones went on to become stars.

Gone Boy: A Walkabout A Father's Search for the Truth in His Son's Murder by Gregory Gibson Reviewed by Jerry Morris

It was in early December, right after the San Bernardino shooting, that a Facebook friend of mine posted a comment about the need for gun control.   One of the people who responded to the post was Gregory Gibson, an antiquarian bookseller who wrote a book about his own son's murder–a mass shooting at Simon's Rock College, Great Barrington, Massachusetts on December  14, 1992.

I ordered a copy of his book on the 5th of December, and it arrived a few days later.  Now I have read true crime books where the writers investigate the murder and the murderer, and while I can't say that I enjoy reading them, I do find them to be interesting reading. But to read a book written by a father about his own son's murder—that was something I didn't know if I was prepared for.

Read it, I did, over the holidays.  But review it, I could not.  I was at a loss for words.  What do I say about a father who writes a book about losing his son to gun violence?  Good book? Compelling reading?  It would take months before I wrote this review.

Gregory Gibson wanted to know the "how" and the "why" of his son's murder.  He attended the trial.  And afterwards, he investigated the murder on his own: How, when and where the murderer, a student at Simon's Rock College, obtained the murder weapon, an SKS Chinese Type 56 Carbine, which accepted a thirty-round magazine.  How the killer modified the gun.  What the killer did on the day of the murder. The actions and inactions of the officials at Simon's Rock College on the day of the murder concerning the killer's receipt of his mail order ammunition.

Gregory Gibson went so far as to interview the court psychiatrists, the witnesses to the shooting, the shooter's parents, and the shooter himself.  He researched the history of the manufacture, importation, and modification of the murder weapon itself–the killer modified the gun and replaced the ten-round magazine with a thirty-round magazine.  This magazine did not lock into place, causing the gun to jam.  If not, there would have been more victims than there were.

Seemingly, Gregory Gibson looked into anything and everything pertaining to his son's murder to try to understand and answer one question: Why?

In his chapter concerning the killer's gun, Gibson wrote about the guns that were made back when the Second Amendment was written. Back then, it would take a marksman two minutes to load and fire four or five rounds.  Nowadays, a shooter can empty a thirty-round magazine in the blink of an eye.   Gibson concludes the chapter with these words:

The 'arms' that the founding fathers thought about keeping and bearing didn't need defining in 1800.

They do now.

On the eve of the twenty-third anniversary of his son's murder, on the Timeline of his Facebook page, and on his Bookman's Log,  Gregory Gibson posted some questions for Wayne LaPierre and the NRA:

America needs to respond to that last question.  And now.

THE SEVEN: The Lives and Legacies of the Founding Fathers of the Irish Republic by Ruth Dudley EdwardsReviewed by Jerry Morris

This is one of them books where there are two sides to the fence.  If you're Irish and damn proud of it, The Seven who led the Easter Rising in 1916 are heroes.  If you're English, then these seven men were traitors.

Now I'm Irish and proud of my heritage; but what disturbs me is that The Seven collaborated with the Germans, and sought Germany's help in their rebellion against England.  Since America was fighting against Germany, the patriotic lines become blurred. And I personally can't see The Seven as the patriotic heroes that many Irish men and women regard them to be.

Ruth Dudley Edwards lays it all out matter of factly: the individual backgrounds of The Seven, their parts in the Easter rising and their legacies.  An interesting read.

Lawrence C. Wroth's Notes for Bibliophiles by Richard J. Ring, Reviewed by Jerry Morris

I regard myself as quite knowledgeable about bibliophiles and bibliophilic matters.  But I learned a thing or two from reading this book.  I learned more about the bibliophiles I thought I already knew:  Wilberforce Eames, Douglas McMurtrie,  and A. S. W. Rosenbach, to name a few.  And I was introduced to a bibliophilic topic I knew practically next-to-nothing about: maps.  Richard Ring selected articles by Lawrence Wroth about mapping the Northwest Territory as well as the maps of the Pacific Battleground, where American troops were currently fighting.

And I particularly enjoyed reading Wroth's pieces about the American libraries, their exhibitions, and some of their special collections.  And Ring included pieces on American newspaper bibliography, printing, and even on early American handwriting.

What amazed me most about the book, however, was the depth of knowledge Wroth displayed about the location of copies of particular books and maps in the libraries of the world. And, I should note, Wroth had no computer on which to look up the bibliographical information he provided in "Notes for Bibliophiles."

Richard Ring has done well in his selection of the 59 articles from the more than 225 articles that appeared in the New York Herald Tribune Books.  

Moi recommends!